Adhocracy
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Commissioned by the first Istanbul Design Biennale in 2012, Adhocracy is an exhibition questioning the impact of new technologies and network culture on the practice of design in the 21st century. The exhibition brings together an international group of designers, architects, artists, filmmakers and thinkers working at the intersection of design, politics, public space and information design.

In the last few years, exponential technologies have substantially transformed how we work, communicate, and relate. Network culture today permeates everyday life, with a profound impact the way designers think and work and the nature of the objects they produce. This exhibition explores these transformations and offers a critical contextualization within the history of design. Adhocracy is purposefully heterogeneous, embracing everything from medical innovation to cultural and political criticism, and from furniture design to weapons manufacturing. Central themes are the evolving notion of authorship, the surge in collaborative open-source design practices, the “commons” as a crucial space of autonomous production and information design as a vital field of political activism.

As the theater of a fast-moving debate over society’s future, design is today engaged in a struggle between bureaucracy and improvisation, authority and the irrepressible force of networks, in search of a new language and a new commons. Adhocracy argues that rather than the closed object, the maximum expression of design today is the process—the activation of open systems, tools that shape society by enabling self-organization, platforms of collaboration that only partly conform to the capitalist model of competition, and empowering networks of production.

The exhibition, located in the Galata Greek School, included several laboratories of experimental on-site production, such as Blablablab’s “Be Your Own Souvenir” project or Unfold’s “Stratigraphic Manufactury,” in which local ceramists create 3-D-printed porcelain artifacts on-site. The exhibition was accompanied by a publication, The Adhocracy Reader, published by IKSV.

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In the last few years, exponential technologies have substantially transformed how we work, communicate, and relate. Network culture today permeates everyday life, with a profound impact the way designers think and work and the nature of the objects they produce. This exhibition explores these transformations and offers a critical contextualization within the history of design. Adhocracy is purposefully heterogeneous, embracing everything from medical innovation to cultural and political criticism, and from furniture design to weapons manufacturing. Central themes are the evolving notion of authorship, the surge in collaborative open-source design practices, the “commons” as a crucial space of autonomous production and information design as a vital field of political activism.

Curator: Joseph Grima
Associate curators: Ethel Baraona Pohl, Elian Stefa, Pelin Tan
Production coordinator: Alessandro Mason
Technical coordinator: Yaşar Kayhan
Exhibition design: ifau and Jesko Fezer
Graphic design: Folder
Catalogue editors: Avinash Rajagopal, Vera Sacchetti, Tamar Shafrir
Editorial coordinator: Merve Yücel
Exhibition dates:
13 October — 12 December 2012, Istanbul Design Biennial at Galata Greek School, Karaköy, Istanbul
4 May – 7 July 2013 The New Museum, New York
4 September – 12 October 2013 Limewharf, London

Press:
New York Times T MagazineThe Architect’s NewspaperThe Architectural ReviewAbitareDezeendesignboom, DisegnoIt’s Nice ThatWallpaper, Urban Omnibus

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